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Knoll unveils two compelling chapters in its uncompromising design story: the Perron Pillo Lounge Chair and new material palettes for the Saarinen Pedestal Collection.
From furniture and homewares to lighting, Dirk du Toit’s Melbourne-based studio Dutoit is built on local manufacturing, material restraint and the belief that longevity is central to sustainable design.
At the National Wool Museum, a new exhibition traces the evolution of Godfrey Hirst and its long-standing role in shaping Geelong’s industrial and design identity.
We caught up with Abramo Manfrotto, CEO of Venetian decorative lighting brand LEUCOS, during a visit to Australia with dedece.
Carr’s largest residential project to date integrates concrete, steel mesh and landscape across 122 apartments in Melbourne’s Brunswick.
Type designer Vincent Chan, who delivered a keynote speech with the Powerhouse as part of Sydney Design Week, tells us about the history and importance of this niche profession.
The winners of two major Powerhouse design initiatives – the Holdmark Innovation Award and the Carl Nielsen Design Accelerator – have been announced with the launch of Sydney Design Week 2025.
‘What a Ripper!’ by comedian and architecture advocate Tim Ross explores Australia’s rich legacy of local product design.
For three-quarters of a century, the iconic Eames Shell Chair has redefined the very act of sitting with its groundbreaking form, proving that, rather than restrict, the right mould can embrace every space, need and individual aspiration.
For Tilt, creating and realising a concept that resonates with people and place makes for exemplary design.
Fine art that informs commercial design has authenticity and soul, and Ross Didier is at the forefront of creativity that is infused with passion.
In Newcastle’s CBD, Coverite Projects transformed a blank floorplate into a workplace with soul, using Milliken flooring to balance industrial grit with residential warmth and intuitive wayfinding.
